Edward Hopper’s images are among the most iconic in the American art canon, and with paintings like Chop Suey and Automat, he is well-known for being an urban Norman Rockwell: he painted 20th century genre scenes of men and women going about their daily routines. The Seattle Art Museum is currently running Edward Hopper’s Women, a small show of ten of Hopper’s paintings and etchings, providing a unique opportunity to examine more closely one of the more well-recognized American artists of the early 20th century.
The challenge in presenting Edward Hopper’s work is finding an angle for entry into Hopper’s artistic perspective for contemporary audiences. Patricia Junker, curator for American Art at the Seattle Art Museum, has culled images that portray primarily women — or men watching women. She chose to frame the show around the shifting roles of post-Victorian women, who work, live, and dine independently.
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